This Boston Globe article pretty much sums up my relationship with most esoteric things I like. I have a tendency to want to keep them to myself, because if only a few people love them then I get to feel special about being a fan.
"Keep
your sweaty remote-control-clutching paws off my 'Mad Men,' people. And
I truly mean that, too. I don't want to see one of my most cherished objects
become dissipated at the water-cooler, made into a "phenomenon"
that turns star Jon Hamm into a cover boy and inspires Slate magazine
to run brainy weekly analyses. I want to share all good things with you,
really I do, but really I don't. Once the universe - or at least planet
Nielsen - fully embraces a TV show, that show officially loses its innocence,
its diamond-in-the-roughness. It no longer has the allure of the underappreciated."
Mad Men, though, is so deliriously good that it seems almost spiteful to keep it from others:
Well, maybe not entirely. I also kind of hate the show because there are *no* black people on it. I mean occasionally, a black person will pop up and make some super trenchant comment that makes you realise the social injustice of the times blah, blah, blah. But 99% of the time they are merely absent, invisible, much as they would have been to the show's characters if they actually ever existed.
The show is set in the advertising world of Madison Avenue in the early sixties. One of the agency's clients is Jewish and they all seem to have a hard enough time grappling with that. Still, I wish they would acknowledge that the fact these characters didn't see people of colour does not mean they weren't actually there. This is a show that is very concerned with accurately portraying the era it's set in: period phones, period clothing, period cigarette holders. To me, it almost seems as though they are so obsessed with reflecting accurately the invisibility of blacks at that time that they themselves begin to perpetuate it. This is not Jane Austen's England here. The people on this show lived in close proximity to people of every ethnicity, even if they weren't in the office environment proper and I wish that were acknowledged more explicitly. The show acknowledges racism but not people of other races, if that makes sense.
I'm sure there are all sorts of valid artistic reasons for their choices and sometimes (often?), paying lip service to diversity in a fictional work is inappropriate, but I think, on this particular show, in this particular instance, they could do a better job. To the main characters, blacks are just ubiquitous dark-skinned ciphers, to be alternately ignored or occasionally derided, but to look behind what the characters see would be illuminating. The idea of being so physically proximate to someone without ever engaging with them, it's fascinating. Fascinating.
Hmm...so that was kind of a hatchet job on a show I claim to love. Sorry. It really is fabulous. Just not perfect. Anything worthwhile usually isn't.
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